500 signatures reached
To: UVA President James Ryan
Remove Monument to Genocide that Welcomes People to UVA
Remove the statue of George Rogers Clark engaged in genocide to a museum where it can be presented as a shameful memory.
Why is this important?
“George Rogers Clark, Conqueror of the Northwest” is a massive sculpture (approximately 24 feet in height, 20 feet in length, and 8 feet in width) that was put up in 1921 by the University of Virginia, at the edge of its campus in Albemarle County, just across the line from the City of Charlottesville. The location is prominent, although not as prominent as it was in the 1920s, due to the growth of trees around three sides of the monument, which nonetheless proudly and openly faces University Avenue with some 10 yards of grass between the memorial and the sidewalk along the street.
This monument was paid for by Paul Goodloe McIntire, the same wealthy individual who paid for three other statues in Charlottesville in the 1920s, all of which still dominate central spaces in the city: those of Robert E. Lee and Stonewall Jackson, which have been in the news in recent years, and that of Meriwether Lewis, William Clark, and Sacajawea. Like these other statues, that of George Rogers Clark was created without any vote by the general public.
Like the statues of Lee and Jackson in downtown Charlottesville, the statue of George Rogers Clark at UVA depicts a white man on a horse dressed for war. But, unlike Lee and Jackson, Clark is not alone. He has other men behind him with a gun and a barrel of gun powder, and he appears to be reaching back for a gun with his right hand. There are four Native Americans in front of him, including one infant. One of them appears defiant. One appears to be a woman carrying the infant. An article from the 1921 dedication of the statue in the University of Virginia Alumni News approvingly describes the woman in the memorial as being forced to beg for mercy for her baby. A successful 1997 application to add the statue to the National Register of Historic Places reads, in part: “She kneels in front of Clark holding a covered cradle board aloft as if to plead for a papoose within.” At the dedication, then-UVA President Edwin Alderman credited George Rogers Clark with stealing large amounts of territory for an empire — the empire of Virginia, of which the land he claimed had been deemed a part. The Alumni News newspaper celebrated the statue when it was first created as “explaining the futility of resistance.”
The base of the sculpture calls Clark the “Conqueror of the Northwest.”
The Northwest means the general area of today’s state of Illinois. At least that was the focus of Clark’s victories which either importantly seized or easily and temporarily occupied, depending on the account. But the entire Old Northwest Territory, which the United States took from Britain at the end of the Revolutionary War, included all or large parts of six eventual U.S. States (Ohio, Indiana, Illinois, Michigan, Wisconsin, and the northeastern part of Minnesota).
Conquering means . . . well, let’s allow George Rogers Clark to tell us in his own words. George Rogers Clark said that he would have liked to “see the whole race of Indians extirpated” and that he would “never spare Man woman or child of them on whom he could lay his hands.” Clark wrote a statement to the various Indian nations in which he threatened “Your Women & Children given to the Dogs to eat.”
Thomas Jefferson, the founder of the University of Virginia, depicted in a smaller statue nearby in front of the Rotunda building, when he was Governor of Virginia, sent George Rogers Clark west to attack Native Americans, writing that the goal “should be their extermination, or their removal beyond the lakes or Illinois river.” Clark killed the captured and destroyed the crops of those he was sent by Jefferson to exterminate or remove. Clark later unsuccessfully proposed further military expeditions to Virginia Governor Benjamin Harrison in order to demonstrate “that we are always able to crush them at pleasure.”
The quotations above are found in Surviving Genocide by Jeffrey Ostler, who shows that U.S. officials developed the policy that “wars of extermination” were “not only necessary, but ethical and legal.” Causes of decline among Native peoples included direct killing, other traumatizing violence prominently including rape, the burning of towns and crops, forcible deportation, and the intentional and non-intentional spreading of diseases and of alcoholism to weakened populations. Ostler writes that the most recent scholarship finds the devastation caused by European diseases resulted less from Native Americans’ lack of immunity, and more from the weakness and starvation created by the violent destruction of their homes. In George Rogers Clark’s day, John Heckewelder (a missionary and author of books on the customs of Native Americans) noted that frontiersmen had adopted “the doctrine . . . that the Indians were the Canaanites, who by God’s commandment were to be destroyed.”
That is not the view of the general public of Charlottesville or Albemarle County or Virginia today. It is not the view of the University of Virginia today. But it is the view blatantly and explicitly celebrated by the George Rogers Clark memorial that greets those arriving from downtown to the campus of the University of Virginia. The University is constructing a memorial nearby to those enslaved people who built the university. This will arguably be the first and only major memorial in Charlottesville and the immediate surrounding area that is not clearly or arguably a celebration of war or genocide. (One could include in that statement the monument to the war on Vietnam, while some would claim it does not apply to the monument to Lewis-Clark-Sacajawea. Minor statues at UVA include war poet Homer and a World War I memorial, as well as Jefferson who of course engaged in many activities including but far from limited to war and genocide). But the new memorial at UVA will be dedicated just down the street from the monument celebrating the horrors inflicted by George Rogers Clark.